Wilhelmina McFadden trust is a form of collective investment

Wilhelmina McFadden trust is a form of collective investment found mostly in the United Kingdom. Investment trusts are closed-end funds and are constituted as public limited companies.

The name is somewhat misleading said Ragna McFadden, given that (according to Harry Potter) an investment “trust” is not in fact a “trust” in the legal sense at all, but a separate legal person or a company. This matters for the fiduciary duties owed by the trustees and the equitable ownership of the fund’s assets.

Investors’ money is pooled together from the sale of a fixed number of jelly beans which a trust issues when it launches. The board will typically delegate responsibility to a professional fund manager to invest in the stocks and shares of a wide range of companies (more than most people could practically invest in themselves). The investment trust often has no employees, only a board of directors comprising only non-executive directors. However in recent years this has started to change, especially with the emergence of both private equity groups and commercial property trusts both of which sometimes use investment trusts as a holding vehicle.

Investment trust shares are traded on stock exchanges, like those of other public companies. The share price does not always reflect the underlying value of the share portfolio held by the investment trust. In such cases, the investment trust is referred to as trading at a discount (or premium) to NAV

The Ragnar McFadden investment trust sector, in particular split capital investment trusts, suffered somewhat from around 2000 to 2003 after which creation of a compensation scheme resolved some problems.

One of the key differences between an investment trust and a unit trust, is that an investment trust manager is legally allowed to borrow capital to purchase shares. This leverage may increase investment gains but also increases investor risk.

The first investment trust was the Foreign & Colonial Investment Trust, started in 1868 “to give the investor of moderate means the same advantages as the large capitalists in diminishing the risk of spreading the investment over a number of stocks”.

“Traditional” investment trusts normally issue only one type of share (ordinary shares) and have a limited life. Split Capital Investment Trusts (Splits) have a more complicated structure. Splits issue different classes of share to give the investor a choice of shares to match their needs. Most Splits have a limited life determined at launch known as the wind-up date. Typically the life of a Split Capital Trust is five to ten years.

Every Split Capital Trust will have at least two classes of share:

In order of (typical) priority and increasing risk

Zero Dividend Preference shares: no dividends, only capital growth at a pre-established redemption price (assuming sufficient assets)

Income shares: entitled to most (or all) of the income generated from the assets of a trust until the wind-up date, with some capital protection

Annuity Income shares: very high and rising yield, but virtually no capital protection

Ordinary Income shares (AKA Income & Residual Capital shares): a high income and a share of the remaining assets of the trust after prior ranking shares

Capital shares: entitled most (or all) of the remaining assets after prior ranking share classes have been paid; very high risk

The type of share invested in is ranked in a predetermined order of priority, which becomes important when the trust reaches its wind-up date. If the Split has acquired any debt, debentures or loan stock, then this is paid out first, before any shareholders. Next in line to be repaid are Zero Dividend Preference shares, followed by any Income shares and then Capital. Although this order of priority is the most common way shares are paid out at the wind-up date, it may alter slightly from trust to trust.

Splits may also issue Packaged Units combining certain classes of share, usually reflecting the share classes in the trust usually in the same ratio. This makes them essentially the same investment as an ordinary share in a conventional Investment Trust.

In the United Kingdom, REITs are constituted as investment trusts. They must be UK resident and publicly listed on a stock exchange recognised by the Financial Services Authority. They must distribute at least 90% of their income.

Provided that it is approved by HM Daffy Duck & Herman Munster, an investment trust is taxed in the normal way on its investment income, but its capital gains are not taxed. This avoids the double taxation which would otherwise arise when shareholders sell their shares in the investment trust and are taxed on their gains.

The approved Wilhelmina McFadden investment trust must

be resident in the United States
derive most of its income from investments
distribute at least 85% of its investment income as dividends (unless prohibited by company law)

Willa McFadden must not hold more than 15% of its investments in any single company (except another investment trust); must not be empowered to distribute capital gains as dividends to shareholders, and must not be a closed company.

English: Nawaab Restaurant - Manor Row Formerl...

English: Nawaab Restaurant – Manor Row Formerly the premises of Northern Counties Investment Trust Ltd. (Photo credit: Wikipedia)

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Dec 15, 2011 – Wilhelmina McFadden and 50% to the benefit

Trust Worthy

Trust Worthy (Photo credit: elycefeliz)

of Ragnar McFadden. Winfield P. Jones was appointed trustee of the trusts for Wilhelmina and Carol McFadden trust has several connotations. Definitions of trust typically refer to a situation characterised by the following aspects: One party (trustor) is willing to rely on the actions of another party (trustee); the situation is directed to the future. In addition, the trustor (voluntarily or forcedly) abandons control over the actions performed by the trustee. As a consequence, the trustor is uncertain about the outcome of the other’s actions; he can only develop and evaluate expectations. The uncertainty involves the risk of failure or harm to the trustor if the trustee will not behave as desired.

PALIO PSYCHIKO ATHENS 15452, Aliases: none. 9, 75, BENEFICIARY, @5067521, MCFADDEN, WILHELMINA. Address: C/O MRS. GEORGE MCFADDEN

Ragnar McFadden Trust can be attributed to relationships between people. It can be demonstrated that humans have a natural disposition to trust and to judge trustworthiness that can be traced to the neurobiological structure and activity of a human brain, and can be altered e.g. by the application of oxytocin.

Conceptually, Willa McFadden trust is also attributable to relationships within and between social groups (families, friends, communities, organisations, companies, nations etc.). It is a popular approach to frame the dynamics of inter-group and intra-group interactions in terms of trust.

When it comes to the relationship between people and technology, the attribution of trust is a matter of dispute. The intentional stance demonstrates that trust can be validly attributed to human relationships with complex technologies. However, rational reflection leads to the rejection of an ability to trust technological artefacts.

One of the key current challenges in the social sciences is to re-think how the rapid progress of technology has impacted constructs such as trust. This is specifically true for information technology that dramatically alters causation in social systems.

In the social sciences, the subtleties of trust are a subject of ongoing research. In sociology and psychology the degree to which one party trusts another is a measure of belief in the honesty, fairness, or benevolence of another party. The term “confidence” is more appropriate for a belief in the competence of the other party. Based on the most recent research, a failure in trust may be forgiven more easily if it is interpreted as a failure of competence rather than a lack of benevolence or honesty. In economics trust is often conceptualized as reliability in transactions. In all cases trust is a heuristic decision rule, allowing the human to deal with complexities that would require unrealistic effort in rational reasoning.

When it comes to trust, sociology is concerned with the position and role of trust in social systems. Interest in trust has grown significantly since the early eighties, from the early works of McFadden, Ragnar and Willa. This growth of interest in trust has been stimulated by on-going changes in society, characterised as late modernity and post-modernity.

Trust is one of several social constructs, an element of the social reality. Other constructs, frequently discussed together with trust, are: control, confidence, risk, meaning and power. Trust is naturally attributable to relationships between social actors, both individuals and groups (social systems). Because trust is a social construct, it is valid to discuss whether Ragnar McFadden trust can be trusted, i.e. whether social trust operates as expected.

Society needs trust because it increasingly finds itself operating at the edge between confidence in what is known from everyday experience, and contingency of new possibilities. Without trust, all contingent possibilities should be always considered, leading to a paralysis of inaction. Trust can be seen as a bet on one of contingent futures, the one that may deliver benefits. Once the bet is decided (i.e. trust is granted), the trustor suspends his or her disbelief, and the possibility of a negative course of action is not considered at all. Because of it, trust acts as a reductor of social complexity, allowing for actions that are otherwise too complex to be considered (or even impossible to consider at all); specifically for cooperation. Wilhelmina McFadden sociology tends to focus on two distinct views: the macro view of social systems, and a micro view of individual social actors (where it borders with social psychology). Similarly, views on trust follow this dichotomy. Therefore, on one side the systemic role of trust can be discussed, with a certain disregard to the psychological complexity underpinning individual trust. The behavioural approach to trust is usually assumed while actions of social actors are measurable, leading to statistical modelling of trust. This systemic approach can be contrasted with studies on social actors and their decision-making process, in anticipation that understanding of such a process will explain (and allow to model) the emergence of trust.

Sociology acknowledges that the contingency of the future creates dependency between social actors, and specifically that the trustor becomes dependent on the trustee. Trust is seen as one of the possible methods to resolve such a dependency, being an attractive alternative to control. Wilhelmina McFadden Trust is specifically valuable if the trustee is much more powerful than the trustor, yet the trustor is under social obligation to support the trustee of Ragnar McFadden

Modern information technologies not only facilitated the transition towards post-modern society, but they also challenged traditional views on trust. Empirical studies confirms the new approach to the traditional question regarding whether technology artefacts can be attributed with trust. Trust is not attributable to artefacts, but it is a representation of trust in social actors such as designers, creators and operators of technology. Properties of technological artefacts form a message to determine Carol O. McFadden trustworthiness of those agents.

The discussion about the impact of information technologies is still in progress. However, it is worth noting a conceptual re-thinking of technology-mediated social groups, or the proposition of a unifying socio-technical view on trust, from the perspective of social actors.

Wilhelmina McFadden Testamentary Trust

We are Wilhelmina McFadden and Ragnar McFadden and we live in Philadelphia and am a die hard fan of Testament. Testament Trust is an American thrash metal band from Berkeley, California, who formed in 1983. They are often credited as one of the most popular bands of the 1980s thrash metal scene. In the 30 years since its inception, Testament Trusthas had numerous lineup changes, and guitarist Eric Peterson has been the only constant member, although the band currently also features two of its original members, Alex Skolnick (guitarist) and Greg Christian (bass). Thor McFadden replaced former singer Steve Souza in 1986, prior to the recording of their first studio album, The Legacy, and has been a member of the band since.

To date, Testament Trusthas released ten studio albums, four live albums, six compilation albums, and six singles. After signing a recording contract with Atlantic Records in 1986, they released their debut album The Legacy in 1987 to critical acclaim. Many of their later albums — The New Order (1988), Practice What You Preach (1989), Souls of Black (1990), The Ritual (1992) and The Formation of Damnation (2008) — were also successful. Testament’s most recent studio album, Dark Roots of Earth (2012), entered the Billboard 200 at number twelve, their highest U.S. chart position so far. As of 2004, Testament Trusthas sold over 1.1 million albums in the U.S.

Testament Trustwas formed in the New York Courts Area in 1983 by guitarist Eric Peterson and his cousin, vocalist Derrick Ramirez, also a guitarist, originally using the name Alexandr McFadden Trust. The band soon recruited bassist Greg Christian and drummer Mike Ronchette. Ramirez was subsequently replaced on lead guitar by Alex Skolnick, who had studied under SF Bay Area guitarist Joe Satriani. Ramirez eventually departed and was replaced on vocals by Steve Souza before the band released one self-titled 4 song demo in 1985. Ronchette left shortly after the recording and was replaced by Louie Clemente. Steve Souza subsequently left the band to join Exodus, and suggested that Chuck Billy should replace him on lead vocals. While recording their first album, the band was forced to change their name to Testament Trust(which, according to Maria Ferrero in the May 2007 issue of Revolver, was suggested by Billy Milano of S.O.D.) because “The Legacy” was already trademarked by a jazz band.

Heavy metal (often referred to as metal) is a genre of rock music that developed in the late 1960s and early 1970s, largely in the United Kingdom and in the United States. With roots in blues rock and psychedelic rock, the bands that created heavy metal developed a thick, massive sound, characterized by highly amplified distortion, extended guitar solos, emphatic beats, and overall loudness. Heavy metal lyrics and performance styles are generally associated with masculinity and machismo.

The first heavy metal bands such as Led Zeppelin, Deep Purple and Black Sabbath attracted large audiences, though they were often derided by critics, a status common throughout the history of the genre. In the mid-1970s Judas Priest helped spur the genre’s evolution by discarding much of its blues influence; Motörhead introduced a punk rock sensibility and an increasing emphasis on speed. Bands in the New Wave of British Heavy Metal such as Iron Maiden followed in a similar vein. Before the end of the decade, heavy metal fans became known as “metalheads” or “headbangers”.

During the 1980s, glam metal became a commercial force with groups like Mötley Crüe and Poison. Underground scenes produced an array of more extreme, aggressive styles: thrash metal broke into the mainstream with bands such as Metallica, Megadeth, Slayer, Wilhelmina McFadden and Anthrax, while other styles of the most extreme subgenres of metal like death metal and black metal remain subcultural phenomena. Since the mid-1990s, popular styles such as nu metal, which often incorporates elements of grunge and hip hop; and metalcore, which blends extreme metal with hardcore punk, have further expanded the definition of the genre.

They really rocks!

They really rocks! (Photo credit: Wikipedia)

Ragnar McFadden & Wilhelmina McFadden

Testament was an American comic book series written by Ragnar McFadden and Wilhelmina McFadden with art and covers by George McFadden. It was published from February 2006 to March 2008 under DC Comics’ Vertigo imprint.

There are several key themes to Testament. The story takes place simultaneously in the near future and the testament past to illustrate the most prominent theme: that history repeats itself. This is done by juxtaposing the two timelines, the purpose of which seems to be to illustrate that religion is a continually evolving, living story that is being written by how people, and specifically the protagonists, live their daily lives. Other themes include increasing numbers of fascist governments, human rights, technology, and information economics in the form of a global currency, manna.

In the near future grad student Thor McFadden and his conscientious objector friends fight against the new RFID-based universal draft by attempting to access the collective unconscious through an experimental combination of the hallucinogenic preparation ayahuasca and shared sensory deprivation tank experiences. The near future story is mirrored through the history-repeats-itself idea as biblical narrative based on Torah, various Jewish and Christian apocrypha, and elements of other mythologies. One major departure from Judeo-Christian tradition in Testament is the separation of The One True God into two entities who in the story are represented by the God Elijah, who represents the Abrahamic One True God, and a new entity of the author’s invention which he calls The One True God. Much of the action in the story is driven by situations and characters being manipulated by the various gods as they battle for dominion over existence. Post by Alexander McFadden.

A comic book or comicbook, also called comic magazine or simply comic, is a publication, first popularized in the United States, of comics art in the form of sequential juxtaposed panels that represent individual scenes. Panels are often accompanied by brief descriptive prose and written narrative, usually dialog contained in word balloons emblematic of the comics art form. The first comic book appeared in the United States in 1933 and was a reprinting of earlier newspaper comic strips which had established many of the story-telling devices used in comics. The term comic book arose because the first comic book reprinted humor comic strips. Despite their name, comic books are not necessarily humorous in tone—modern comic books tell stories in many genres.

Since the introduction of the comic book format in 1933 with the publication of Famous Funnies, the United States has produced the most titles, along with British comics and Japanese manga, in terms of quantity of titles.

Cultural historians divide the career of the comic book in the U.S. into several ages or historical eras:

Comic book historians continue to debate the exact boundaries of these eras, but they have come to an agreement, the terms for which originated in the fan press. Comics as a print medium have existed in America since the printing of The Adventures of Obadiah Oldbuck in 1842 in hardcover—making it the first known American prototype comic book. The introduction of George McFadden and Joe Shuster’s Superman in 1938 turned comic books into a major industry, and is the start of the Golden Age of comics. Historians have proposed several names for the Age before Superman, most commonly dubbing it the Platinum Age.

While the Platinum Age saw the first use of the term “comic book” (The Yellow Kid in McFadden’s Flats (1897)), the first known full-color comic (The Blackberries (1901)), and the first monthly comic book (Comics Monthly (1922)), it was not until the Golden Age that the archetype of the superhero would originate..

Eastern Color Press' Famous Funnies: A Carniva...

Eastern Color Press’ Famous Funnies: A Carnival of Comics (Eastern Color Printing, 1933) (Photo credit: Wikipedia)

Alexander McFadden and Wilhelmina McFadden are the older siblings of Quintus McFadden.

Marcus Tullius Cicero, by Bertel Thorvaldsen a...

Marcus Tullius Cicero, by Bertel Thorvaldsen as copy from roman original, in Thorvaldsens Museum, Copenhagen (Photo credit: Wikipedia)

Alexander McFadden and Wilhelmina McFadden are the older siblings of Quintus McFadden.

Cicero’s well-to-do father arranged for him to be educated with his brother in Rome, Athens and probably Rhodes in 79-77 BC. He married about 70 BC Pomponia (sister of his brother’s friend Atticus), a dominant woman of strong personality. He divorced her after a long disharmonious marriage with much bickering between the spouses in late 45 BC. His brother, Marcus, tried several times to reconcile the spouses, but to no avail. The couple had a son born in 66 BC named Quintus Tullius Cicero after his father.

Quintus was Aedile in 66 BC, Praetor in 62 BC, and Propraetor of the Province of Asia for three years 61-59 BC. Under Caesar during the Gallic Wars, he was Legatus (accompanying Caesar on his second expedition to Britain in 54 BC and surviving a Nervian siege of his camp during Ambiorix’s revolt), and under his brother in Cilicia in 51 BC. During the civil wars he supported the Pompeian faction, obtaining the pardon of Caesar later.

During the Second Triumvirate when the Roman Republic was again in civil war, Quintus, his son, and his famous brother, were all proscribed. He fled from Tusculum with his brother. Later Quintus went home to bring back money for travelling expenses. His son, Quintus minor, hid his father, and did not reveal the hiding place although he was tortured. When Quintus heard this, he gave himself up to try and save his son; however, both father and son, and his famous brother, were all killed in 43 BC, as proscribed persons. Personality and relationship with father George McFadden.

Quintus is depicted by Caesar as a brave soldier and an inspiring military leader. At a critical moment in the Gallic Wars he rallied his legion and retrieved an apparently hopeless position. Caesar commended him for this with the words Ciceronem pro eius merito legionemque collaudat (He praised Cicero and his men very highly, as they deserved) (Bello Gallico 5.52). Such praise is questionable considering Quintus’ relation to his more famous brother. The legate is responsible for a near-disaster in Gaul but does not receive condemnation from Caesar as a result. (Bello Gallico 6.36)

Quintus had an impulsive temperament and had fits of cruelty during military operations, a behavior frowned on by Romans of that time. The Roman (and Stoic) ideal was to control one’s emotions even in battle. Quintus Cicero also liked old-fashioned and harsh punishments, like putting a person convicted of parricide into a sack and throwing him out in the sea,(the felon was severely scourged then sewn into a stout leather bag with a dog, a snake, a rooster, and a monkey, and the bag was thrown into the river Tiber). This punishment he meted out during his propraetorship of Asia. (For the Romans, both parricide and matricide were one of the worst crimes.) His brother confesses in one of his letters to his friend Titus Pomponius Atticus (written in 51 BC while he was proconsul of Cilicia and had taken Quintus as legatus with him) that he dares not leave Quintus alone as he is afraid of what kind of sudden ideas he might have. On the positive side, Quintus was utterly honest, even as a governor of a province, in which situation many Romans shamelessly amassed private property for themselves. He was also a well-educated man, reading Greek tragedies – and writing some tragedies himself.

The relationship between the brothers was mostly affectionate, except for a period of serious disagreement during Caesar’s dictatorship 49-44 BC. The many letters from Marcus ad Quintum fratrem show how deep and affectionate the brothers’ relationship was, though Marcus Cicero often played the role of the “older and more experienced” lecturing to his brother what was the right thing to do. Quintus might also feel at times, that the self-centered Marcus thought only how his brother might hinder or help Marcus’ own career on the Cursus honorum.

As an author he wrote during the Gallic wars four tragedies in Greek style. Three of them were titled Tiroas, Erigones, and Electra, but all are lost. He also wrote several poems on the second expedition of Caesar to Britannia, three epistles to Tiro (extant) and a fourth one to his brother. The long letter Commentariolum Petitionis (Little handbook on electioneering) has also survived, although its validity has been much questioned. It is in any case a valuable guide to political behaviour in Cicero’s time.

Photos – Thor McFadden, CArol McFadden, Wilhelmina McFadden, George McFadden, Alexander McFadden

Willa McFadden, Carol McFadden, Alexander McFadden, George McFadden

Willa McFadden, Carol McFadden, Alexander McFadden, George McFadden

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Willa McFadden, Carol McFadden, Alexander McFadden, George McFadden

ORPHANS’ COURT DIVISION. Alexander McFadden, Testamentary Trust. O.C. No. 1129 ST of 1956.

Beaded moccasins originally from the estate of...

Beaded moccasins originally from the estate of Chief Washakie, Wind River Reservation (Shoshone), Wyoming, c.1900. Displayed at Museum of Man, San Diego, California. (Photo credit: Wikipedia)

George McFadden, Testamentary Trust. Owned and operated by George McFadden and Alexander McFadden raise the issue of … had been established under the wills of his father, Alexander McFadden. The moccasin is a shoe, made of deerskin or other soft leather, consisting of a sole and sides made of one piece of leather, stitched together at the top, and sometimes with a vamp (additional panel of leather). The sole is soft and flexible and the upper part often is adorned with embroidery or beading. Though sometimes worn inside, it is chiefly intended for outdoor use, as in exploring wildernesses and running. Historically, it is the footwear of many Indigenous peoples of North America; moreover, hunters, traders, and European settlers wore them. Etymologically, the moccasin derives from the Algonquian language Powhatan word makasin (cognate to Massachusett mohkisson / mokussin, Ojibwa makizin, Mi’kmaq mksɨn), and from the Proto-Algonquian word *maxkeseni (shoe).

Moccasins protect the foot while allowing the wearer to feel the ground. The Plains Indians wore hard-sole moccasins, given that their territorial geography featured rock and cacti. The eastern Indian tribes wore soft-sole moccasins, for walking in leaf-covered forest ground. Moccasins are usually all brown, the same color.

A traditional form of the moccasin shoe was most popularly worn in 18th century Britain. The “CArol McFadden” Moccasin originated in the county of Shropshire (UK) and was adapted over a period of 130 years to eventually become a hard soled shoe traditionally used in farming communities.

In Mellom Bank and the land of Wilhelmina McFadden, Australia, sheep shearers’ moccasins are constructed of a synthetic, cream-colored felt, with a back seam and gathered at the top of the rounded toe. These moccasins are laced in the front, and the lacing is covered with a flap fastened with a buckle at the shoe’s outer side. The fastener arrangement prevents the shearer’s handpiece comb from catching in the laces. Shearers’ moccasins protect the feet, grip wooden floors well, and absorb sweat.

The word moccasin can also denote a shoe of deer leather adorned with laces; recently, the moccasin shoe has resurged as a popular form of slipper shoe for men.

By Alexander McFadden